Ouroussoff Speaks

He’s not particularly impressed:

The designs unveiled last week for three sleek glass towers at ground zero rise above the mediocrity we have come to expect from a planning process driven by political opportunism, backdoor deal-making and commercial greed.

But for those who cling to the idea that the site’s haunting history demands a leap of imagination, the towers illustrate how low our expectations have sunk since the city first resolved to rebuild there in a surge of determination just weeks after 9/11.

Designed by Norman Foster, Richard Rogers and Fumihiko Maki, the towers are solid, competent work by three first-rate talents. But each of these architects is capable of far more. Lord Foster has shown us better work recently in Midtown Manhattan, where his faceted Hearst Tower plunges through the top of an existing 1920’s building with impressive force.

Architectural merit aside, the most telling features of the ground zero master plan remain those in which the city’s anxieties bubble up to the surface: in the paranoia implied by David Childs’s heavily armored Freedom Tower, for example, or the defiant grandiosity of Santiago Calatrava’s transportation hub. By comparison, the three new towers are about forgetting. Conservative and coolly corporate, they could be imagined in just about any Western capital, paralleling the effacement of history in the remade, blatantly commercial Potsdamer Platz in Berlin or La Défense, the incongruous office-tower district just outside Paris.

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It is far from clear that these three towers will be built in their current form. It is almost inevitable that the Police Department will raise security concerns, challenging the abundance of glass at street level, for example.

But at least we are beginning to see a real architectural composition emerge, one that for all its flaws, represents a serious effort to raise the level of conversation at ground zero. The question is whether our fortunes slowly turning, or whether cynical politics will erode the genuine merits of the designs before us today.